Publications | JGW Scholarship — James Gordon Williams

A person wearing a black shirt, black hat, and glasses standing at a podium on the left. A large projected book cover on the right titled "Crossing Bar Lines: The Politics and Practices of Black Musical Space" by James Gordon Williams with a foreword by Robin D. G. Kelley. The cover features an image of a smiling man playing drums.

Selected Publications

Books

Crossing Bar Lines: The Politics and Practices of Black Musical Space. University Press of Mississippi (2021)

Journal Articles

Williams, James Gordon. "The Principle of Alloys: Transforming Carceral Debris Into a Soundscape of Abolition." Liquid Blackness, Vol. 8, No. 2, (2024): 156-171

Williams, James Gordon. “Black Birdanity.” Jazz and Culture, Vol. 4, No. 2, (2021): 85–104

Williams, James Gordon. “Randy Weston’s Pan African Politics of Music Education.” Jazz and Culture, Vol. 4, No. 1, (2021): 33-67

Williams, James Gordon. "Christian Scott aTunde Adjuah’s Critique of the Danziger Bridge Shootings." Jazz Research Journal, Volume 13, Numbers 1-2, (2019): 70-92

Williams, James Gordon. "Black Muse 4 U: Liminality, Self-Determination, and Racial Uplift in the Music of Prince." Journal of African American Studies 21, no. 3 (2017): 296-319

Williams, James Gordon. "Crossing Cinematic and Sonic Bar Lines: T-Pain's 'Can't Believe It'." Ethnomusicology Review 19, (2014)

Williams, James Gordon. “Improvising on Feedback Piano: Aesthetic Discourses Behind Technology and Sound” in Rethinking Improvisation: Artistic Explorations & Conceptual Writing, edited by Henrik A. Frisk & Stefan Östersjö, 169-177. Lund University, Sweden, (2013)

Williams, James Gordon. “African American Influences on American Music” in Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture, edited by Jacqueline Edmondson, 17-23, Greenwood Press, (2013).