“The World Making Aura of Sonic Blackness”
with Moor Mother & James GORDON WILLIAMS
On Wednesday, March 6, 2024, the University of California, Santa Cruz Music Department presents a very special performance by guest artist Moor Mother (Camae Ayewa) and James Gordon Williams, assistant professor of music composition at UC Santa Cruz in the Recital Hall of the Music Center. “The audience should expect to be educated, engaged, and enchanted by our co-creation in real time,” says Williams, as he prepares for his upcoming on-campus collaboration with Moor Mother. The performance will be a collaborative experience with both of them performing new compositions together on stage and “performing sonic miracles” in the moment.
Williams first saw Ayewa perform on February 10, 2023 at the Sons D’ Hiver in Paris France in connection with an University of Paris 8 Afrofuturism conference where he was invited to present his research. Afrofuturism is a movement that incorporates Black histories and culture to explore the future through various artforms. Williams was very impressed with Ayewa as a performer, composer, researcher and scholar. When the Arts Research Institute announced the Arts and Oppression grant in 2023, he created a proposal to bring Ayewa to UC Santa Cruz for an artistic research collaboration.
“The root of our collaboration began when I saw her in Paris and when I subsequently studied Black Quantum Futurism (BQF), a theory and practice that undergirds Ayewa’s creative practice,” says Williams. Black Quantum Futurism expands on Afrofuturism’s relationship to time and is more inclusive to the communities who do not have access to academia. Ayewa chose Moor Mother as a name to center the Black mother, a figure who Williams following Ayewa has argued is “invisible in many ways, she is often the most disregarded, the most mistreated, the most taken advantage of.”
Along with his research and teaching of BQF, Williams is also creating sonic environments to accompany the performance. Moor Mother will also bring her own technology to collaborate with, but most of the performance will be extemporized.
On Monday March 4, 2024 there will also be a colloquium with the artists in the Digital Arts and New Media (DANM) Dark Room starting at 1:20 p.m. This free event invites the audience to gain a greater understanding of Ayewa’s music and Black Quantum Futurism in advance of the concert.
The performance was made possible by the Music Department, Institute of Arts and Sciences, and The Humanities Institute. It is largely funded through the UC Santa Cruz’s Arts Research Institute Arts and Oppression grant.
